is a composer and improviser working largely in the domain of digital media, exploring how contingency and listening together shape musical structure and performer interpretation, as well as how they may blur boundaries between composer, performer, and generative structures. Osmun’s compositional work is permeated by recurring themes of digital materiality, listening subjectivity, and the sublimity of entropy and noise.

Osmun is a Ph.D. Candidate in Composition at the University of California San Diego and holds a Lecturer position in Composition at San Diego State University where he teaches courses on electronic music, recording, and composition. His music and research have been presented internationally, being shown at IEM-KUG (AT), the SEAMUS National Conference (US), the SCI National Conference (US), NYCEMF (US), Neofonía Festival de Música Nueva de Ensenada (MX), Darmstädter Ferienkurse (DE), Omaha Under the Radar (US), the Radigue at 90 Conference (FR), and the Big Sky Documentary Film Festival (US). He has written works for line upon line, Alarm Will Sound, the St. Louis Symphony, and SPLICE Ensemble, as well as for numerous friends in close collaboration. His scholarship on Éliane Radigue has been published in TEMPO.