Large Ensemble

in effigies. (2018)

Sinfonietta, 6’15”

Composed for Alarm Will Sound.

ghost, receding. (unto a shaded landscape) (2018)

Symphony Orchestra, 10’30”

2221 2220 timpani, 2 percussion, strings

Composed for the St. Louis Symphony Orchestra.

Transfiguration (2017)

Symphony Orchestra, 7’15”

3222 4331 timpani, 3 percussion, coloratura soprano, piano, strings

Commissioned by Dr. Jeanne Sinquefield for the University of Missouri Chancellor’s Arts Showcase.

Resonant Forms (2014)

Wind Symphony, 6′

Commissioned by Western Michigan University for the Ron Nelson Award.

Acoustic Chamber

IMPEND (2021)

Contrabass, 12′

Written for Will Yager.

|||||||||||| (2019)

Amplified violoncello, 9’15”

Written for Peter Ko.

with wooden lungs (2018)

Violin and Piano, 7’45”

Written for New Music on the Point.

Convergences (2017)

Flute, Bass Clarinet, Soprano Saxophone, Violin, Cello, Piano, Percussion, 7’30”

Written for the Mizzou New Music Ensemble for the 2017 North American solar eclipse.

First Fig (2015)

Mezzo-soprano, Violoncello, and Piano (Amplified Ensemble), 7′

Setting of texts by Edna St. Vincent Millay.

bodies in motion (2015)

Classical or Electric Guitar Quartet, 6′

Written for Quartetto Apeiron.

Pursuit (2014)

Electric Guitar Quartet, variable length

Competitive tile based game piece written for a reading by Dither Quartet.

Electroacoustic Chamber

topographic veil (2021-2022)

Flute, oboe, C trumpet, percussion, piano, violin, violoncello, contrabass.

Written for Palimpsest Ensemble.

Reconstruction (2021-Present)

Ongoing collaborative improvisation practice, open instrumentation.

stasis patterns (2018)

Trumpet, piano, percussion, and live electronics, 8′

. . . nothing that bleeds or trembles. (2017)

2 pianos, 2 percussion, live electronics, 10′

spaces of an absent voice (2017)

Turntable and live electronics, 6’45”

soliloquy (2015)

Electric guitar and live electronics, 7′

Music for Film

Rockpile (2017)

Collaboration with documentary filmmaker Kyle Pyatt.