Large Ensemble

ghost, receding. (in progress)
Symphony Orchestra, 12’00”
2222 2330 timpani, 2 percussion, strings
Written as part of a collaborative project between the University of Missouri and the St. Louis Symphony Orchestra.

Transfiguration (2017)
Symphony Orchestra, 7’15”
3222 4331 timpani, 3 percussion, coloratura soprano, piano, strings
Commissioned by Dr. Jeanne Sinquefield for the University of Missouri Chancellor’s Arts Showcase.

Resonant Forms (2014)
Wind Symphony, 6’
Commissioned by Western Michigan University for the Ron Nelson Award.


. . . nothing that bleeds or trembles. (2017; revision in progress) 2 Pianos, 2 Percussion, Live Electronics, 10’
Written for the nief-norf Summer Festival.

Convergences (2017)
Flute, Bass Clarinet, Soprano Saxophone, Violin, Cello, Piano, Percussion, 7’30”
Written for the Mizzou New Music Ensemble for the 2017 North American solar eclipse.

First Fig (2015)
Mezzo-soprano, Cello, and Piano (Amplified Ensemble), 7’ Setting of texts by Edna St. Vincent Millay.

bodies in motion (2015)
Classical or Electric Guitar Quartet, 6’
Written for Quartetto Apeiron for the 2015 highSCORE Festival.

Pursuit (2014)
Electric Guitar Quartet, variable length
Competitive tile based game piece written for a reading by Dither Quartet.

Dark, dark my light (2014)
Violin, Viola, and Cello, 10’


spaces of an absent voice (2017)
Turntable and Live Electronics, 6’45”

soliloquy (2015)
Electric Guitar and Live Electronics, 7’

Music for Film

Rockpile (2017)
Electronically processed Electric Guitar, 35’.
Collaboration with filmmaker Kyle Pyatt. Investigative documentary exploring the peculiar history of a Superfund site and geographical landmark in Weldon Springs, Missouri.