in effigies. (2018)
Composed for Alarm Will Sound for the 2018 Mizzou International Composers Festival.
ghost, receding. (unto a shaded landscape) (2018)
Symphony Orchestra, 10’15”
2221 2220 timpani, 2 percussion, strings
Composed for and premiered by the St. Louis Symphony Orchestra.
Symphony Orchestra, 7’15”
3222 4331 timpani, 3 percussion, coloratura soprano, piano, strings
Commissioned by Dr. Jeanne Sinquefield for the University of Missouri Chancellor’s Arts Showcase.
Resonant Forms (2014)
Wind Symphony, 6’
Commissioned by Western Michigan University for the Ron Nelson Award.
stasis patterns (2018)
trumpet, piano, percussion, live electronics, 6'00"
Written for SPLICE Ensemble.
with wooden lungs (2018)
violin, piano, 7'00"
Written for New Music on the Point.
. . . nothing that bleeds or trembles. (2017)
2 Pianos, 2 Percussion, Live Electronics, 10’
Written for the nief-norf Summer Festival.
Flute, Bass Clarinet, Soprano Saxophone, Violin, Cello, Piano, Percussion, 7’30”
Written for the Mizzou New Music Ensemble for the 2017 North American solar eclipse.
First Fig (2015)
Mezzo-soprano, Cello, and Piano (Amplified Ensemble), 7’
Setting of texts by Edna St. Vincent Millay.
bodies in motion (2015)
Classical or Electric Guitar Quartet, 6’
Written for Quartetto Apeiron for the highSCORE Festival.
Electric Guitar Quartet, variable length
Competitive tile based game piece written for a reading by Dither Quartet.
Dark, dark my light (2014)
Violin, Viola, and Cello, 10’
spaces of an absent voice (2017)
Turntable and Live Electronics, 6’45”
Electric Guitar and Live Electronics, 7’
Music for Film
Electronically processed Electric Guitar
Collaboration with filmmaker Kyle Pyatt. Investigative documentary exploring the peculiar history of a Superfund site and geographical landmark in Weldon Springs, Missouri.