Douglas Osmun is a composer and improviser working largely in the domain of digital media, exploring how contexts shape interactive experiences or improvisatory structures, and how they blur the boundaries between composer, performer, audience, and artificial intelligence. Osmun’s work is permeated by recurring themes of digital materiality, speculative interfaces, generating forms, structure bearing contexts, techno-pessimism, techno-optimism, communitarian interactivity, AI mediation, and human/AI/cybernetic subjectivities.